A MYTH ON THE ACT OF CREATION
Bodies propelled by subterranean forces surging through them in a sinister, surreal universe, a world where the grotesque vies with Eros. Orpheus and Eurydice is a powerful, excessive work imbued with undulations of humour. Fascinated by the body and its most intimate, secret manifestations, choreographer Marie Chouinard has created an exploratory dance that plunges into a dissoluteness and excess portrayed by dancers whose commitment is total.
This piece exposes the visceral sources of creation. Breaths, shouts, vowels and consonants are pulled out from the organic like an infra tongue extirpated from the inmost depths of the body.
It features not a single Eurydice or Orpheus but several, multiple in number and in gender. Moving between harmony and heartbreak, comedy and cruelty, the vital pulsations of the living are apparent in
bodies possessed.
By Michèle Febvre for Festival TransAmériques (Montreal, Canada)
Ballet in one act
Length | 66 minutes
Created at the Equilibrio Festival, Rome, Italy, on February 6, 2008*
A COMPAGNIE MARIE CHOUINARD production in co-production with the Canada Dance Festival (Ottawa), Carolina Performing Arts (Chapel Hill), Festival TransAmériques (Montreal), Fondazione Musica per Roma (Roma), the Gulbenkian Foundation (Lisbon), Movimentos Festwochender Autostadt (Wolfsburg), the National Arts Centre (Ottawa), Place des Arts (Montreal), Théâtre de la Ville (Paris), with the support of ImPulstanz (Vienna)
Choreography and Direction | Marie Chouinard
Original Music | Louis Dufort
Lighting, Set Design and Props | Marie Chouinard
Texts excerpts | From Profanations by Giorgio Agamben from June 15, 2008 with the author permission
Costumes | Vandal
Make up | Jacques-Lee Pelletier
Sound Advisor | Edward Freedman
Props Constructions | Marilène Bastien
*Dancers for the world premiere | Kimberley De Jong, Mark Eden-Towle, Masaharu Imazu, Carla Maruca, Lucie Mongrain, Carol Prieur, Manuel Roque, Dorotea Saykaly, James Viveiros, Won Myeong Won
« Intense, erotic, comic and poetic all at the same time... inventive without being showy – both the technical and organic elements of movement were interwoven seamlessly. The piece keeps one off-balance. There’s a risk in investigating an artwork that’s outside your comfort zone, but in this case, it paid off. My only comment, come back and make it soon. » John Dugan, Time Out, Chicago, 2009
« Moments of eerie beauty condense out of the chaos... There's plenty of comedy too... it's subversively funny... A work of magnetic, sometimes almost unendurable intensity. » Brian Howe, IndyWeek, Chapel Hill, 2009